Sanford Meisner’s method relies on the “actuality of doing”. Moderately than concentrate on feelings, he centered on truthful conduct that was the product of “doing” not “considering”. To offer actors with a approach of reaching truthful conduct he created what he known as the “repetition” workouts. Initially these workouts train actors to essentially hear to at least one one other. The earliest stage of his workouts is known as the “very first thing”. By “working off” each other and listening with out including something synthetic onto the train actors start to grasp what it means to reply from their truthful selves. So as to illuminate the worth of listening because it pertains to the instincts, Meisner offered his college students with 3 guidelines:
Rule 1. “Do not do something till one thing occurs to make you do it”. By studying the worth of “leaving your self alone” the actor begins to grasp that there isn’t any that means in fabricated responses. To attain the sense of reality that we try for in our work the actor should study to place all of their consideration on an “object” outdoors of themselves. In doing so the actor is now not watching himself/herself. That is the inspiration of listening to the opposite individual.
Rule 2. “What you do would not depend upon you, it depends upon the opposite individual”. That is extra simply understood in stage 3 of the “repetition”, generally referred to as the “perspective” train. On this stage college students are launched to what Meisner known as the “pinch” for the “ouch”. The actors engaged within the “perspective” train are actually transferring ahead within the “repetition. They’re now required to reply to the opposite individual from their very own truthful “perspective”. The actors aren’t allowed to “assume” up a response or pause to contemplate the impact their companion’s “pinch” has had on them. They need to now reply spontaneously from their truthful “perspective”. In case your companion says one thing to anger you, it’s essential to keep within the “repetition” and reply out of your intestine. That is the stage during which the actor begins to grasp what it imply to take away the “filter” and take the “good routine” out of their work. Pondering blocks the instincts so the actors work tirelessly to get our of their “heads” and discover significant conduct through the “pinch”. Ergo Meisner acknowledged, “If I “pinch” you, you’ll say “ouch”.
Rule 3. “The standard of your work relies upon upon how absolutely you do what you do”. This is among the most troublesome issues for an actor to grasp. Working full refers to your capacity to react to the “pinch” from a private place. That is important for script work as there aren’t any informal moments in drama. By definition, “No battle = no drama”. The actor’s work should be infused with that means from begin to end. Marlon Brando talks briefly within the newest Brando documentary, “Hear To Me Marlon”, concerning the significance and issue of discovering the “reality of the second”.
Meisner went on to supply his college students with the “unbiased bodily exercise” to supply the actor with a way of growing focus and focus. The actor is now at a spot the place he/she should usher in an exercise that’s purely bodily and intensely troublesome. As soon as once more the significance of inserting all your consideration on the “object of your conduct” is bolstered.
Because the actors progress from one stage of the “repetition” to the following the stakes are raised thereby offering the means by which we create urgency.
In all there are roughly 12-13 phases of the “repetition” workouts. In each stage the actor should proceed to study to “hear” through the “knock on the door”, unbiased bodily exercise, and eventually the “in relationship” stage of the workouts.
As a younger actor I used to be at all times in my head and had no clue as to the right way to get out. There have been occasions when my instincts got here to the floor however a lot most of the time I used to be considering reasonably than reacting to the “pinch. Luckily I discovered the Meisner Approach early in my coaching. As an actor, instructor, and director I might be misplaced with out it.